TL; DR: A pairing of enigmatic images of couples from The Window project, third one at bottom.
Pairings, juxtapositions and patterns. Across the time span of The Window series (LINK), context emerges which generates (accretes?) considerations beyond each individual image.
Two photos taken months apart, at different times of day, of different situations, when juxtaposed within the context of an exhbition (virtual or institutional), suddenly obtain more layers of meaning.
For example in the project there is a photo of a woman in high heels and fur at 11 p.m., arms outstretched, smiling and posing for a photo as she leans back against a stretch limo. Months later I captured an image of a woman at 6 a.m crammed into a kid’s bike trailer, immobile (sleeping, sick, dead?), as her partner cycled from dumpster to dumpster looking for bottles.
Placed side by side, each image becomes a tuning fork that resonates to the other.
Another example: separate shots over months of 3 different groups of 3 women crossing the street together. Each group is ethnically homogenous and of the same age within their triplet, but when the photos are placed sequentially you notice that each group’s pattern of walking is significantly different — one group is close, almost shoulder to shoulder, arms and legs in synch; the next group somewhat matching in stride and arm movements, but a little farther apart from each other; and the last group of three is dispersed and with no physical cohesion of motion. Is it culture, age, season, setting, time of day, or happenstance that causes this phenomena?
One of the images by itself is just a word, but the three together are a poem.
