works on paper

US VS US

  • June 24, 2020
US VS US

"US VS US", K.I.A. 202o Oilstick on paper. 12 x 9" Edition of 10. Inquire for pricing (stepped). Larger versions to come..

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LOVE, LOOT

  • June 6, 2020
LOVE, LOOT

Sign of the Times. Wall Street to Main Street. Verb, noun. Admonition? Imperative?  Love, now Loot. Oilstick on paper, 9 x 12". Twelve made, each unique, signed, numbered verso. Variable pricing reflecting the unstable era, 1-3:$100, 4-6: $125, 7-9 $150, 10-12 $200). See it as sign of the times, or loot. Future iterations: 60"... UPDATE: 1,2 gone.     ACQUIRE: PAYPAL: SQUARE (takes credit cards): Buy now   INTERAC: info[at]nu4ya.com       ©K.I.A. 2020

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Word Works

  • May 15, 2020
Word Works

Word works, inspired by a dream where it was raining words, and as each word fell on your body, you felt it. The storm started out as a poem, then became a novel, then a library of books, a hurricane of stories and words. These are the first in this series. Each is seen as a page in a book, (smaller in size 9 x 12"), and will be numbered as such, ultimately to be exhibited in a linear sequence. The words are meant to be ineffable, speaking in tongues, language of the angels, whispers, on the edge of meaning. (other inspirations: Voynich manuscript. Cocteau Twins and Sigur Ros lyrics. The coding...

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Chromavirus

  • May 2, 2020
Chromavirus

Some big color for these dark times.  Chromavirus III, 16 x 14" Acrylic on archival paper on wood. This is continuing the CRISPR series of paintings. Future iterations of the below being significantly scaled up (72" +).          

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Works on Paper

  • April 1, 2020
Works on Paper

WORKS ON PAPER (survey) Oilstick or acrylic on archival paper.  Signed verso.  "Flat" works first. Spliced/stacked works at bottom. Various sizes, as noted (or inquire). Larger works at bottom.  Sold ones are noted. (Shipped unframed, inquire for pricing). WORD WORKS: Oilstick on archival paper.  9 x12". "LOOT"   Text as rainstorm; ongoing iterations, as part of  365 unit "book"   Text / Wordworks:   METATROPOLIS SERIES: 24 x 18", acrylic on paper.  (More in the series than shown). ABOVE: 3 iterations. ABOVE:...

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Genetically Modified Bouquet

  • August 29, 2019
Genetically Modified Bouquet

This work is a hybrid of photography, painting, sculpture, collage, digital construction and ikebana. It’s a genetically modified bouquet, a handmade jpeg of a flower arrangement… Time is also spliced in this work, the 19th and 21st centuries. A camera-less photographic technique from 1842 (which uses the sun expose the image) is used along with digital and biotech strategies to create the image. Discrete visual genes from within the work, along with pictorial DNA from separately created works, are spliced together to create something new. Though the work arrives at a fixed state after...

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In A Myriad of Ages It Will Not Be Exhausted

  • August 6, 2019
In A Myriad of Ages It Will Not Be Exhausted

If from a stick a foot long you every day take the half of it, in a myriad of ages it will not be exhausted. -Mohist School of Names (China, 479 BCE) The work is continuously destroyed This painting is cut in half every ten years. Each division makes it a new artwork, and starts the clock on its next destruction. The original state becomes unknown,  as the smaller and smaller pieces are placed in new positions.  All future states are also unknown, existing as probabilities, potentials, or impossibilities. Now or never Each painting can only be seen in each physical ‘now’ of the viewer, ...

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sincerity is great & the metatropolis

  • April 26, 2019
sincerity is great & the metatropolis

sincerity is great. also the architectonic + virtual + organic + poetic as a Metatropolis        

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Infecting installation, spliced cyanotypes & dangerous sculptures

  • April 2, 2019
Infecting installation, spliced cyanotypes & dangerous sculptures

A long, skinny painting that connects all the art in the space like a neural network. An installation that infects  the exhibition, its colorful component parts migrating over time through and around the other works, framing, enhancing, colonizing, barricading them. A massive wall painting to be decentralized over time, its 30 parts moving out globally, to flow back for exhibition every 10 years, a murmuration that builds narratives and networks over decades. A dangerous painting. An even more dangerous sculpture. A series of resequenced and genetically modified paintings. Works made with...

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IOTA, Art collector, K.I.A.

  • March 6, 2019
IOTA, Art collector, K.I.A.

IOTA is a distributed painting. It is a single large artwork to exist in many different locations in 30 parts. It is a decentralized painting. Each individual work (24 x 18") exists as a standalone piece, but is connected to all others via horizontal, vertical, non-linear and color elements. Each piece however, is uniquely folded (its creases like a fingerprint), utterly unique within the collective. When a single section is on the wall, one knows it is connected  something much bigger than one sees, connected globally to others across countries, cultures, class, religions, time. (Metaphor!) The...

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