Whitney Biennale

IOTA, Art collector, K.I.A.

  • March 6, 2019
IOTA, Art collector, K.I.A.

IOTA is a distributed painting. It is a single large artwork to exist in many different locations. It is a decentralized painting. Each individual work (24 x 18") exists as a standalone piece, but is connected to all others via horizontal, vertical, non-linear and color elements. Each piece however, is uniquely folded (its creases like a fingerprint), utterly unique within the collective. The idea is that each owner sees the work as something bigger, connected globally to others across countries, cultures, class, religions, time. The single work (120" x 108") is to show every ten years,...

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More Than

  • May 4, 2018
More Than

Metempsychosis themes meet the CRISPR series. The soul is spliced.  

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CRISPR SCULPTR

  • November 6, 2017
CRISPR SCULPTR

This work consists of large paintings distributed (into a sculpture (that is a recombinant installation (that is a function))). Stage one (all the images below) is done; later stages are to be created in site-specific locations nationally and globally over the next few years, the work accreting to an enormous size... VORTEX 35' dia. Its multivalent presentation modes [SEE IMAGES BELOW] enables it to explore many ideas. The sculpture is a mutable metaphor,  a hackable technology, a language or a system or an open function for divining insight. Abstract ideas experienced concretely...

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My Anjat Anjan

  • June 1, 2010
My Anjat Anjan

“My Anjat Anjan” by K.I.A., 2010, 60” x 40”. C-Print on metallic photopaper, backmounted on aluminum, facemounted on clear acrylic. 1/5. A jet engine blueprint referencing Palenque. Part of a series exploring ancient/traditional art forms paired with current technology; and broadly, the transtemporal nature of the soul... See also: injunjetenjun kabukijetenjin (Turboaragato)

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injunjetenjun

  • November 22, 2009
injunjetenjun

“injunjetenjun” by K.I.A. 2009, 60” x 40”, C-print on metallic photo paper. This series evolved while researching the “Acceleration / Still...” sculpture. Looking over hundreds of aviation blueprints and schematics, I kept seeing tribal masks. (And feel it was a glimpse of a metempsychosis -- the experience of my own past, or perhaps even future, lives.) Once again, my multi-temporal/cross-cultural/machine v. handmade themes arise... So this piece is described as a jet engine totem pole, or a Haida space shuttle. It is a blueprint of a jet engine, done in the manner of west-coast...

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