venice biennale

No There There (going away away)

  • June 11, 2019
No There There (going away away)

This work has been acquired by a collector in L.A. (Fitting, as its title "No There There, No Hear Hear" is a play on words referencing Gertrude Stein's famous comment upon seeing her old neighborhood, Oakland, also in California). The work is a palimpsest, with layers and layers of shifting text, texture, information, color, and meaning. Images and video below, to show context and optical shifts. 84 x 60", oilstick on aluminium tape and vinyl on aluminium.  

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Installation as Tsunami (CRISPR SCULPTR v.XI)

  • April 21, 2019
Installation as Tsunami (CRISPR SCULPTR v.XI)

Artwork as tsunami, ice age, desert dunes, mud slide, rising sea level. Art as anthropocene. Sculptures submerged by an encroaching installation (an iteration of CRISPR SCULPTR installation done Banff Centre).  The installation moves, over weeks, through a group exhibition or institutional collection, around and through other works, inexorable. This iteration only exists in relation to other works. It frames, enhances, barricades other work. Artwork as migration. Seen in terms of migration, the work creates treaties, negotiations, agreement, communication,  compromises, solutions re: borders,...

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Infecting installation, spliced cyanotypes & dangerous sculptures

  • April 2, 2019
Infecting installation, spliced cyanotypes & dangerous sculptures

A long, skinny painting that connects all the art in the space like a neural network. An installation that infects  the exhibition, its colorful component parts migrating over time through and around the other works, framing, enhancing, colonizing, barricading them. A massive wall painting to be decentralized over time, its 30 parts moving out globally, to flow back for exhibition every 10 years, a murmuration that builds narratives and networks over decades. A dangerous painting. An even more dangerous sculpture. A series of resequenced and genetically modified paintings. Works made with...

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IOTA, Art collector, K.I.A.

  • March 6, 2019
IOTA, Art collector, K.I.A.

IOTA is a distributed painting. It is a single large artwork to exist in many different locations in 30 parts. It is a decentralized painting. Each individual work (24 x 18") exists as a standalone piece, but is connected to all others via horizontal, vertical, non-linear and color elements. Each piece however, is uniquely folded (its creases like a fingerprint), utterly unique within the collective. When a single section is on the wall, one knows it is connected  something much bigger than one sees, connected globally to others across countries, cultures, class, religions, time. (Metaphor!) The...

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Dangerous Sculpture

  • February 22, 2019
Dangerous Sculpture

A dangerous sculpture, a reverse St. Sebastian, a psychedelic sea urchin: (Stay tuned for the large wall version)

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More Than

  • May 4, 2018
More Than

Metempsychosis themes meet the CRISPR series. The soul is spliced.  

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Large Scale Recombinant Installation

  • April 2, 2018
Large Scale Recombinant Installation

Multiple massive iterations of a painting as an ephemeral installation, outdoors or indoors. More information (images, concept) HERE (email for password). Color as space, painting as sculpture, sculpture as installation, installation as metaphor. See the indoor origin HERE. Some examples: linear, vortex and distributed versions:

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Artitechture

  • February 14, 2018
Artitechture

This work is a 12' high ephemeral architectonic palimpsest, a crystalline tornado poem, an optically shifting spaceship skyscraper, a bas-relief diagonal tower of babel. Future iterations will be even bigger -- 30' high or long (on the ground), painting as monumental architecture. (And art as physical & mental challenge -- ephemeral does not equal effortless.  Art as intense sport, as Sisyphean marathon.) As it is done directly on the wall, it can only be experienced in one location. And as all walls eventually come down, it's lo-fi high beauty that can only be experienced for a moment...

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CRISPR SCULPTR

  • November 6, 2017
CRISPR SCULPTR

This work consists of large paintings distributed (into a sculpture (that is a recombinant installation (that is a function))). Stage one (all the images below) is done; later stages are to be created in site-specific locations nationally and globally over the next few years and added to the work, the installation accreting to an enormous size. This work expresses the ephemeral, the ineffable, and the infinite. VORTEX 35' dia. Its multivalent presentation modes [SEE IMAGES BELOW] enables it to explore many ideas. The sculpture is a mutable metaphor,  a hackable technology, a language...

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What An Artist Does

  • April 20, 2017
What An Artist Does

IMAGE: recombinant sculpture; resequenced paintings; palimpsest series, and brand new series UPDATE:  I spent 70hrs/week for 6 weeks at an art residency, a CRISPR SCULPTR, this painting-as-sculpture-as-installation-as-function ... artwork as endurance sport, as improvisational music, as gene-edited... here's some images of the recombinant work: See here for many other  Projects Every so often someone asks me "What do you do everyday?". I'm surprised at people's surprise at how much there is to do as an artist -- I suppose the romantic idea of just making stuff whenever 'inspired'...

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