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Protected: Public Art explorations K.I.A. (contact for password)

  • July 6, 2020
Protected: Public Art explorations K.I.A. (contact for password)

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Co Op Art

  • July 1, 2020
Co Op Art

This is a a crowd-sourced painting, to be co-created by participants from all around the world. The painting is created from hundreds of discrete blocks, whose color and location have chosen by participants. It might take weeks, months or years to complete, it could end up wild or restrained,  harmonic or dissonant,  many-colored or monochrome... The work will have people from all continents contributing --  all backgrounds, ages, cultures, races, faiths, genders and so on, all next to each other. Groups, collectives, institutions, charities and corporations may also participate....

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Word Works

  • May 15, 2020
Word Works

Word works, inspired by a dream where it was raining words, and as each word fell on your body, you felt it. The storm started out as a poem, then became a novel, then a library of books, a hurricane of stories and words. These are the first in this series. Each is seen as a page in a book, (smaller in size 9 x 12"), and will be numbered as such, ultimately to be exhibited in a linear sequence. The words are meant to be ineffable, speaking in tongues, language of the angels, whispers, on the edge of meaning. (other inspirations: Voynich manuscript. Cocteau Twins and Sigur Ros lyrics. The coding...

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Works on Paper

  • April 1, 2020
Works on Paper

WORKS ON PAPER (survey) Oilstick or acrylic on archival paper.  Signed verso.  "Flat" works first. Spliced/stacked works at bottom. Various sizes, as noted (or inquire). Larger works at bottom.  Sold ones are noted. (Shipped unframed, inquire for pricing). WORD WORKS: Oilstick on archival paper.  9 x12". "LOOT"   Text as rainstorm; ongoing iterations, as part of  365 unit "book"   Text / Wordworks:   METATROPOLIS SERIES: 24 x 18", acrylic on paper.  (More in the series than shown). ABOVE: 3 iterations. ABOVE:...

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Crystalline Machine Hurricane Rain

  • February 16, 2020
Crystalline Machine Hurricane Rain

This work came from a dream where it was raining words. As each drop hit your skin you felt its meaning. A storm was Shakespearean, a shower haikus. A hurricane the library of Alexandria, lived in a deluge. All the works in the series -- hybrids of painting, drawing, collage, installation and sculpture -- have very complex bas-relief forms (architectonic, crystalline, and organic) with linear and smeared color on reflective surfaces  that optically shift with the changing light of day (or season, or room), and flatten and expand in depth due to the angle of viewing.  Each painting or on-the-wall...

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Chromasnowma

  • January 15, 2020
Chromasnowma

Weatherwork, 2020. Continuing the series, now full spectrum. These works each took about 8 hours to do. More images to be added. (Earlier works in the yearly series, monochromatic ash/snow collages, HERE.  Large-scale indoor iterations developing. Contact for site-specific commissions. Prints of the various earthworks over the years, etc. by request.   Example of past (monochromatic) seasons: ash cyanotypes, more HERE: snow collages, more HERE: And earlier, glitching snow:   Like the work? You can show your support it here: paypal.me/KIAart

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Kirilian cities

  • October 23, 2019
Kirilian cities

METATROPOLIS SERIES Kirilian buildings. Architectonic coronas.Whimsical cities. Urban auras. Structures as broadcasts. Outside-the-box meta metropolis. Ongoing series (Some examples of larger works on canvas, smaller ones on paper, below) Acrylic on canvas, 70 x 48" - 2019 As they would appear installed: Scultpural versions (wall, floor): Acrylic on archival paper, 24 x 18", 2019    

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Genetically Modified Bouquet

  • August 29, 2019
Genetically Modified Bouquet

This work is a hybrid of photography, painting, sculpture, collage, digital construction and ikebana. It’s a genetically modified bouquet, a handmade jpeg of a flower arrangement… Time is also spliced in this work, the 19th and 21st centuries. A camera-less photographic technique from 1842 (which uses the sun expose the image) is used along with digital and biotech strategies to create the image. Discrete visual genes from within the work, along with pictorial DNA from separately created works, are spliced together to create something new. Though the work arrives at a fixed state after...

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No There There (going away away)

  • June 11, 2019
No There There (going away away)

This work has been acquired by a collector in L.A. (Fitting, as its title "No There There, No Hear Hear" is a play on words referencing Gertrude Stein's famous comment upon seeing her old neighborhood, Oakland, also in California). The work is a palimpsest, with layers and layers of shifting text, texture, information, color, and meaning. Images and video below, to show context and optical shifts. 84 x 60", oilstick on aluminium tape and vinyl on aluminium.  

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sincerity is great & the metatropolis

  • April 26, 2019
sincerity is great & the metatropolis

sincerity is great. also the architectonic + virtual + organic + poetic as a Metatropolis        

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