painting

Co Op Art

  • July 1, 2020
Co Op Art

This is a a crowd-sourced painting, to be co-created by participants from all around the world. The painting is created from hundreds of discrete blocks, whose color and location have chosen by participants. It might take weeks, months or years to complete, it could end up wild or restrained,  harmonic or dissonant,  many-colored or monochrome... The work will have people from all continents contributing --  all backgrounds, ages, cultures, races, faiths, genders and so on, all next to each other. Groups, collectives, institutions, charities and corporations may also participate....

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Crystalline Machine Hurricane Rain

  • February 16, 2020
Crystalline Machine Hurricane Rain

This work came from a dream where it was raining words. As each drop hit your skin you felt its meaning. A storm was Shakespearean, a shower haikus. A hurricane the library of Alexandria, lived in a deluge. All the works in the series -- hybrids of painting, drawing, collage, installation and sculpture -- have very complex bas-relief forms (architectonic, crystalline, and organic) with linear and smeared color on reflective surfaces  that optically shift with the changing light of day (or season, or room), and flatten and expand in depth due to the angle of viewing.  Each painting or on-the-wall...

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Kirilian cities

  • October 23, 2019
Kirilian cities

METATROPOLIS SERIES Kirilian buildings. Architectonic coronas.Whimsical cities. Urban auras. Structures as broadcasts. Outside-the-box meta metropolis. Ongoing series (Some examples of larger works on canvas, smaller ones on paper, below) Acrylic on canvas, 70 x 48" - 2019 As they would appear installed: Scultpural versions (wall, floor): Acrylic on archival paper, 24 x 18", 2019    

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mmm skyscraper i love you

  • October 16, 2019
mmm skyscraper i love you

"mmm skyscraper i love you" - A spliced skyscraper, a volumetric painting. A three-dimensional version of the genetically modified paintings: visual genes recombined. Transient or fixed arrangements (as column, as barrier, as nodes, as radius on wall, and so on.) This version 3', wood and acrylic. Developing versions in painted steel. Installation mockup: Written sculptures (mockup):   The genetically modified paintings: Paintings, various scales: Bonus: another volumetric painting, mutable in shape; freestanding or wall scaling up to 120"+ high. Monumental...

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In A Myriad of Ages It Will Not Be Exhausted

  • August 6, 2019
In A Myriad of Ages It Will Not Be Exhausted

If from a stick a foot long you every day take the half of it, in a myriad of ages it will not be exhausted. -Mohist School of Names (China, 479 BCE) The work is continuously destroyed This painting is cut in half every ten years. Each division makes it a new artwork, and starts the clock on its next destruction. The original state becomes unknown,  as the smaller and smaller pieces are placed in new positions.  All future states are also unknown, existing as probabilities, potentials, or impossibilities. Now or never Each painting can only be seen in each physical ‘now’ of the viewer, ...

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No There There (going away away)

  • June 11, 2019
No There There (going away away)

This work has been acquired by a collector in L.A. (Fitting, as its title "No There There, No Hear Hear" is a play on words referencing Gertrude Stein's famous comment upon seeing her old neighborhood, Oakland, also in California). The work is a palimpsest, with layers and layers of shifting text, texture, information, color, and meaning. Images and video below, to show context and optical shifts. 84 x 60", oilstick on aluminium tape and vinyl on aluminium.  

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Infecting installation, spliced cyanotypes & dangerous sculptures

  • April 2, 2019
Infecting installation, spliced cyanotypes & dangerous sculptures

A long, skinny painting that connects all the art in the space like a neural network. An installation that infects  the exhibition, its colorful component parts migrating over time through and around the other works, framing, enhancing, colonizing, barricading them. A massive wall painting to be decentralized over time, its 30 parts moving out globally, to flow back for exhibition every 10 years, a murmuration that builds narratives and networks over decades. A dangerous painting. An even more dangerous sculpture. A series of resequenced and genetically modified paintings. Works made with...

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Collage

  • March 22, 2019
Collage

For the record, a survey of my early collages, and their evolution till today. The paper ones were made and exhibited in Tokyo, LA, Toronto. The series (style) began in 1987. The concept came fully-formed in a daydream while sitting at Shinjuku station: slice images to strip them to their core information, and then interleave the images to compress them into dense meanings. It also enabled works using disparate material and juxtapostions of ideas to visually cohere. I have always described these as having a visual rhyme scheme, A/B/A/B/C/C.   Poetry, music, and DNA. Most carefully composed,...

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Dangerous Sculpture

  • February 22, 2019
Dangerous Sculpture

A dangerous sculpture, a reverse St. Sebastian, a psychedelic sea urchin: (Stay tuned for the large wall version)

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Shred, splice, destroy, create

  • October 25, 2018
Shred, splice, destroy, create

Inception paintings, paintings inside paintings. Many works made using found wind and sourced items across many specific locations and climates, destroyed and spliced together to make a single hybrid work. New work in the ongoing CRISPR series, which are a compression of time and space, experience and place, more on that HERE. Cyanotype series, 21st and 19th century concepts spliced together... and so on....    

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