Museum of Contemporary Art Canada

Installation as Tsunami (CRISPR SCULPTR v.XI)

  • April 21, 2019
Installation as Tsunami (CRISPR SCULPTR v.XI)

Artwork as tsunami, ice age, desert dunes, mud slide, rising sea level. Art as anthropocene. Sculptures submerged by an encroaching installation (an iteration of CRISPR SCULPTR installation done Banff Centre).  The installation moves, over weeks, through a group exhibition or institutional collection, around and through other works, inexorable. This iteration only exists in relation to other works. It frames, enhances, barricades other work. Artwork as migration. Seen in terms of migration, the work creates treaties, negotiations, agreement, communication,  compromises, solutions re: borders,...

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insider studio view

  • November 27, 2018
insider studio view

Studio views, new works, developing works, see below for some images, (fast glance video at bottom): -CRISPR installation, first time on wall (about half of it); web work (painting as drawing as sculpture as installation that connects rooms and floors, view on two sides of wall); 1/10 of recombinant cement painting/installation, as tower; -IOTA, decentralized painting (floor, table, wall) to exist as single work across large geographical area; iota sculpture (painting in 1000 parts) 2 views; -40+ works on paper, two walls -a few from the CRISPR paintings, series of spliced works -two smaller...

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Shred, splice, destroy, create

  • October 25, 2018
Shred, splice, destroy, create

Inception paintings, paintings inside paintings. Many works made using found wind and sourced items across many specific locations and climates, destroyed and spliced together to make a single hybrid work. New work in the ongoing CRISPR series, which are a compression of time and space, experience and place, more on that HERE. Cyanotype series, 21st and 19th century concepts spliced together... and so on....    

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Curator

  • June 24, 2016
Curator

Just had a two hour studio visit with a curator from the AGO,  linking the work from the early linear A/B/A/B/ collages done in Tokyo through the remxible installations and sculpture work to the digital ice graffiti, laser palimpsest and outdoor ephemeral art, to the latest genetically modified object explorations...  

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Turbine Descending A Staircase

  • May 17, 2016
Turbine Descending A Staircase

Decided to do a radical freestanding remix of the sculpture Acceleration Still. Completely spontaneous, no pre-planning and/or fabricating of interior armature, similar to how I approach my outdoor works (ya work with what ya got.) All part of my recombinant painting, sculpture, installation series, where the work is remixable, intermixable, and infinitely unfinished. The original A/S painting (original flat arrangement of the sculpture, and which will never be seen) is 27 x 16', 300 aluminum panels. This iteration actually references the interior content, which is a butterfly wing composed...

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notTango

  • March 4, 2016
notTango

Another palimpsest work, as installed at collector's. Bas-relief abstract wrapped in steel and painted. 40 x 26". A hybrid of the Rapt series, and the Shift/Drift series.

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Remixing, sampling, scratching, looping paintings & sculptures

  • February 21, 2016
Remixing, sampling, scratching, looping paintings & sculptures

(Scroll down for many images of remixed, intermixed, disrupted and distributed paintings & sculptures, incl. some text on the origin and ideas-behind, including reviews. Also see Statement) GLOBE & MAIL K.I.A.’s latest work, Acceleration/Still is a giant, wasp’s-nest-shaped painting/sculpture combo that references butterfly wings, fuselages and airplane blueprints, via over 300 painted panels. As the weeks progress, the object will grow, change shape and re-combine  TORONTO STAR Remix Music, Why Not Art?  K.I.A. is about art-making, music-making and idea-spinning,...

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upSTEPPA

  • January 24, 2016
upSTEPPA

"upSTEPPA" from the laser palimpsest series. Complex code/info bas relief and multimedia on aluminum. 48" x 24". As installed at collector's. Different angle showing more of the sub/texture:

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<3 >|< RX

  • January 25, 2012
<3 >|< RX

"<3 >|< RX", oilstick on aluminum, 24 " x 36" x 6", 2012. Upsetting the sets...a 2D Venn diagram on 50 panels, hung 3D; iphoto'd at owner's. The idea of this commissioned piece was to show how complex our relationships and interwoven our personalities become with another over time -- starting out as something as simple as the intersection point of two circles (the initial flat image,) but evolving into something infinitely and intimately enmeshed (the three-dimensional intermixed arrangement of that initial flat image.) (See also in this 2D/3D/4D series: Accelration / Still ...

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