MACM

No Hear Hear, No There There

  • October 11, 2016
No Hear Hear, No There There

This work fuses the silver palimpsest series with some of my text series, as well as my linear mandala/DNA spectrogram/sliced collage approach. It's also transtemporal -- there is a complex bas-relief texture of a Victorian petit point motto that reveals beneath the 21st century material. (The reflective quality of which allows the colors in the room, or the viewer, to resolve/dissolve into the piece. It also creates a shifting or unstable optical appearance as one moves around the work, with the different textures or sections luminescing at different angles or time of day.) The text...

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Curator

  • June 24, 2016
Curator

Just had a two hour studio visit with a curator from the AGO,  linking the work from the early linear A/B/A/B/ collages done in Tokyo through the remxible installations and sculpture work to the digital ice graffiti, laser palimpsest and outdoor ephemeral art, to the latest genetically modified object explorations...  

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Argent Silk Armor…

  • December 6, 2011
Argent Silk Armor…

"Ardent Silver Armor" by K.I.A., 2011, 84” x 60 x 5”, oilstick on faceted aluminum. Sometimes mentioning the background ideas open up an artwork (reading the T.S. Eliot footnotes help), sometimes it shuts it down (knowing who Damien Hirst cribbed from.) All of my work deals with the idea of multiplicity of meanings... many of which I’m consciously working on, but also a lot that get revealed later... so I’m always hesitant to explain how the rabbit was pulled out of the hat. I’d rather learn the viewer’s ideas and feelings relating to the piece... but, in-person at least,...

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