kirby ian andersen

More Than

  • May 4, 2018
More Than

Metempsychosis themes meet the CRISPR series. The soul is spliced.  

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Large Scale Recombinant Installation

  • April 2, 2018
Large Scale Recombinant Installation

Multiple massive iterations of a painting as an ephemeral installation, outdoors or indoors. More information (images, concept) HERE (email for password). Color as space, painting as sculpture, sculpture as installation, installation as metaphor. See the indoor origin HERE. Some examples: linear, vortex and distributed versions:

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Artitechture

  • February 14, 2018
Artitechture

This work is a 12' high ephemeral architectonic palimpsest, a crystalline tornado poem, an optically shifting spaceship skyscraper, a bas-relief diagonal tower of babel. Future iterations will be even bigger -- 30' high or long (on the ground), painting as monumental architecture. (And art as physical & mental challenge -- ephemeral does not equal effortless.  Art as intense sport, as Sisyphean marathon.) As it is done directly on the wall, it can only be experienced in one location. And as all walls eventually come down, it's lo-fi high beauty that can only be experienced for a moment...

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CRISPR SCULPTR

  • November 6, 2017
CRISPR SCULPTR

This work consists of large paintings distributed (into a sculpture (that is a recombinant installation (that is a function))). Stage one (all the images below) is done; later stages are to be created in site-specific locations nationally and globally over the next few years, the work accreting to an enormous size... VORTEX 35' dia. Its multivalent presentation modes [SEE IMAGES BELOW] enables it to explore many ideas. The sculpture is a mutable metaphor,  a hackable technology, a language or a system or an open function for divining insight. Abstract ideas experienced concretely...

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International Art Residency

  • August 6, 2017
International Art Residency

  UPDATED: IMAGES ADDED I'm doing an artist residency at the Banff Centre fall 2017. (Artists, curators, critics, writers etc. from all around the world attend the Center to develop their work). I'm going to be doing the first stage of an infinite sculpture that is also a painting. That is also an installation. That is also an organism, a time crystal, a node, a mob, music, and a virus. A sculpture that is a function. This first stage will be ambitiously big, but it will grow even larger in scale as subsequent parts are made over time in other international settings or residencies....

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Projects Overview

  • June 29, 2017
Projects Overview

Various projects, now as separate pages. Page 1 is new works, ideas in progress, and painting series; 2 is singular works on aluminum, 3 is installations, 4 is early recombinants.  The Blog has the best overview of everything. PAGE 1 - PAGE 2 - PAGE 3 - PAGE 4  

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What An Artist Does

  • April 20, 2017
What An Artist Does

IMAGE: recombinant sculpture; resequenced paintings; palimpsest series, and brand new series UPDATE:  I spent 70hrs/week for 6 weeks at an art residency, a CRISPR SCULPTR, this painting-as-sculpture-as-installation-as-function ... artwork as endurance sport, as improvisational music, as gene-edited... here's some images of the recombinant work: See here for many other  Projects Every so often someone asks me "What do you do everyday?". I'm surprised at people's surprise at how much there is to do as an artist -- I suppose the romantic idea of just making stuff whenever 'inspired'...

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Art at Collector’s

  • March 5, 2017
Art at Collector’s

A survey of sold works across different series, all sizes, in situ in diverse locations (lobbies, yacht, offices, mansions, condos...); see the Projects page for bigger images.  

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Snow Collage

  • January 13, 2017
Snow Collage

Snow collage, ash as medium, 40' x 20'. Existed for only a day. Lake bed as canvas. (But editioned prints of the work are available by persuasion; contact info@nu4ya.com for details.)        

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No Hear Hear, No There There

  • October 11, 2016
No Hear Hear, No There There

This work fuses the silver palimpsest series with some of my text series, as well as my linear mandala/DNA spectrogram/sliced collage approach. It's also transtemporal -- there is a complex bas-relief texture of a Victorian petit point motto that reveals beneath the 21st century material. (The reflective quality of which allows the colors in the room, or the viewer, to resolve/dissolve into the piece. It also creates a shifting or unstable optical appearance as one moves around the work, with the different textures or sections luminescing at different angles or time of day.) The text...

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