kirby andersen

Art at Collector’s

  • March 5, 2017
Art at Collector’s

A survey of sold works across different series, all sizes, in situ in diverse locations (lobbies, yacht, offices, mansions, condos...); see the Projects page for bigger images.  

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floSTEPPA (installed)

  • April 7, 2016
floSTEPPA (installed)

floSTEPPA - 48 x 36" Now installed at collectors. This series consists of paintings inside of paintings; a palimpsest, a 3D collage. The work is the rapt series combined with the shift/drift series of paintings with the linear  works.  A textured abstract beneath a silvered collage beneath a linear wrap of metal beneath a resequenced acrylic.

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Remixing, sampling, scratching, looping paintings & sculptures

  • February 21, 2016
Remixing, sampling, scratching, looping paintings & sculptures

(Scroll down for many images of remixed, intermixed, disrupted and distributed paintings & sculptures, incl. some text on the origin and ideas-behind, including reviews. Also see Statement) GLOBE & MAIL K.I.A.’s latest work, Acceleration/Still is a giant, wasp’s-nest-shaped painting/sculpture combo that references butterfly wings, fuselages and airplane blueprints, via over 300 painted panels. As the weeks progress, the object will grow, change shape and re-combine  TORONTO STAR Remix Music, Why Not Art?  K.I.A. is about art-making, music-making and idea-spinning,...

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((0)), for Fun(d): Upstepped & Intermixed

  • February 14, 2016
((0)), for Fun(d): Upstepped & Intermixed

Image: “((0))”, size variable, but here 60” x 70”, acrylic on aluminum A tectonic / bar graph rearrangement of the painting (((0))), spliced with a couple white sections from a second painting. The original version of this work was chosen for the lobby of a hedge fund, but I suggested a rising arrangement, with a dynamic upwards movement of four segments. Shift, fluidity and transformation are constant themes in my work. This piece changes physically and perceptually: the iridescent paint light-shifts as you move (the banding appears); the silver gaps pop with the light; the various...

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Divination Inclination

  • December 5, 2015
Divination Inclination

56” x 36” x 3000 nuts & bolts (Left: front view Right: back view oilstick on aluminium K.I.A. 2012 This work, which came to me fully-formed while sleeping, encapsulates my ongoing themes: it uses proletarian materials in an unusual way; it contains imagery from many eras and cultures; it has layers of veiled information; it changes -- shadows or pinpoints of light or details get revealed as you move around the work. (Even the back. Especially the back. Everyone peeks around the back.) It was also insanely labour intensive, involving hand-screwing 3000 nuts and bolts. They...

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