KIA art

Chromavirus

  • April 2, 2020
Chromavirus

Some big color for these dark times.  Chromavirus III, 16 x 14" Acrylic on archival paper on wood. This is continuing the CRISPR series of paintings. Future iterations of the below being significantly scaled up (72" +).           Like the work? You can show your support it here: paypal.me/KIAart

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Crystalline Machine Hurricane Rain

  • February 16, 2020
Crystalline Machine Hurricane Rain

This work came from a dream where it was raining words. As each drop hit your skin you felt its meaning. A storm was Shakespearean, a shower haikus. A hurricane the library of Alexandria, lived in a deluge. All the works in the series -- hybrids of painting, drawing, collage, installation and sculpture -- have very complex bas-relief forms (architectonic, crystalline, and organic) with linear and smeared color on reflective surfaces  that optically shift with the changing light of day (or season, or room), and flatten and expand in depth due to the angle of viewing.  Each painting or on-the-wall...

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sincerity is great & the metatropolis

  • April 26, 2019
sincerity is great & the metatropolis

sincerity is great. also the architectonic + virtual + organic + poetic as a Metatropolis        

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Infecting installation, spliced cyanotypes & dangerous sculptures

  • April 2, 2019
Infecting installation, spliced cyanotypes & dangerous sculptures

A long, skinny painting that connects all the art in the space like a neural network. An installation that infects  the exhibition, its colorful component parts migrating over time through and around the other works, framing, enhancing, colonizing, barricading them. A massive wall painting to be decentralized over time, its 30 parts moving out globally, to flow back for exhibition every 10 years, a murmuration that builds narratives and networks over decades. A dangerous painting. An even more dangerous sculpture. A series of resequenced and genetically modified paintings. Works made with...

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Dangerous Sculpture

  • February 22, 2019
Dangerous Sculpture

A dangerous sculpture, a reverse St. Sebastian, a psychedelic sea urchin: (Stay tuned for the large wall version)

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Snow Collage IV – Ash, Snow, Bulrush, Wind

  • January 7, 2019
Snow Collage IV – Ash, Snow, Bulrush, Wind

Composed from ash and wind on snow (a charcoalotype?), an ephemeral outdoor installation, an annual tradition. This one is about 15' diameter. (Previous ones, 30', here, and here, and some snow graffiti here.) 8 hours + to make; 8 minutes to disappear (it rained shortly after completion). Gone like the year. Indoor version in the works:  ash or graphite on sand, larger in scale and longer lived. (Prints available).         Other works in this series: And earlier:

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Art Troll and geoDNA

  • September 19, 2018
Art Troll and geoDNA

Art troll?  Here's how I ended up working (lurking), in inclement weather, under a low bridge... with a racoon. Some of my current explorations involve creating visual DNA en plein air at disparate locations  (ultimately to be done coast to coast to coast across Canada, then other countries) and combining them together. Hundreds of paintings will initially be made, and then destroyed, as they are sliced up into pictorial genes which will  be CRISPR'd together into  single complex artworks, paintings made of paintings. The final pieces will be a hybrid of painting, collage and sculpture....

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geotagged painting sculpture installation

  • July 22, 2018
geotagged painting sculpture installation

Installation commission for collector, installed on their ranch. Site specific painting-sculpture, three iterations. Part of an ongoing global megainstallation composed of 'geotagged' recombinant components. Ultimately to be a painting (collage) made from many hundreds of components. K.I.A. 2018

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distributed sculpture, decentralized installation

  • July 3, 2018
distributed sculpture, decentralized installation

The decentralized sculpture / distributed painting idea extended outdoors; hi concept - lo materials, geotagged  by site-specific materials. Many discrete units -- ideally to be thousands -- comprising a larger volumetric painting (sculpture).  Below to be scaled up x 100. Monolith, column, detritus, array, line... developing. Various iterations below, some digital rendering of larger scale versions, then below that some images of CRISPR SCULPTR, a larger distributed sculpture, both real world and mocked up versions.   CRISPR SCULPTR a recombinant...

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Artitechture

  • February 14, 2018
Artitechture

This work is a 12' high ephemeral architectonic palimpsest, a crystalline tornado poem, an optically shifting spaceship skyscraper, a bas-relief diagonal tower of babel. Future iterations will be even bigger -- 30' high or long (on the ground), painting as monumental architecture. (And art as physical & mental challenge -- ephemeral does not equal effortless.  Art as intense sport, as Sisyphean marathon.) As it is done directly on the wall, it can only be experienced in one location. And as all walls eventually come down, it's lo-fi high beauty that can only be experienced for a moment...

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