ephemeral

Chromasnowma

  • January 15, 2020
Chromasnowma

Weatherwork, 2020. Continuing the series, now full spectrum. These works each took about 8 hours to do. More images to be added. (Earlier works in the yearly series, monochromatic ash/snow collages, HERE.  Large-scale indoor iterations developing. Contact for site-specific commissions. Prints of the various earthworks over the years, etc. by request.   Example of past (monochromatic) seasons: ash cyanotypes, more HERE: snow collages, more HERE: And earlier, glitching snow:   Like the work? You can show your support it here: paypal.me/KIAart

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In A Myriad of Ages It Will Not Be Exhausted

  • August 6, 2019
In A Myriad of Ages It Will Not Be Exhausted

If from a stick a foot long you every day take the half of it, in a myriad of ages it will not be exhausted. -Mohist School of Names (China, 479 BCE) The work is continuously destroyed This painting is cut in half every ten years. Each division makes it a new artwork, and starts the clock on its next destruction. The original state becomes unknown,  as the smaller and smaller pieces are placed in new positions.  All future states are also unknown, existing as probabilities, potentials, or impossibilities. Now or never Each painting can only be seen in each physical ‘now’ of the viewer, ...

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Installation as Tsunami (CRISPR SCULPTR v.XI)

  • April 21, 2019
Installation as Tsunami (CRISPR SCULPTR v.XI)

Artwork as tsunami, ice age, desert dunes, mud slide, rising sea level. Art as anthropocene. Sculptures submerged by an encroaching installation (an iteration of CRISPR SCULPTR installation done Banff Centre).  The installation moves, over weeks, through a group exhibition or institutional collection, around and through other works, inexorable. This iteration only exists in relation to other works. It frames, enhances, barricades other work. Artwork as migration. Seen in terms of migration, the work creates treaties, negotiations, agreement, communication,  compromises, solutions re: borders,...

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IOTA, Art collector, K.I.A.

  • March 6, 2019
IOTA, Art collector, K.I.A.

IOTA is a distributed painting. It is a single large artwork to exist in many different locations in 30 parts. It is a decentralized painting. Each individual work (24 x 18") exists as a standalone piece, but is connected to all others via horizontal, vertical, non-linear and color elements. Each piece however, is uniquely folded (its creases like a fingerprint), utterly unique within the collective. When a single section is on the wall, one knows it is connected  something much bigger than one sees, connected globally to others across countries, cultures, class, religions, time. (Metaphor!) The...

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Snow Collage IV – Ash, Snow, Bulrush, Wind

  • January 7, 2019
Snow Collage IV – Ash, Snow, Bulrush, Wind

Composed from ash and wind on snow (a charcoalotype?), an ephemeral outdoor installation, an annual tradition. This one is about 15' diameter. (Previous ones, 30', here, and here, and some snow graffiti here.) 8 hours + to make; 8 minutes to disappear (it rained shortly after completion). Gone like the year. Indoor version in the works:  ash or graphite on sand, larger in scale and longer lived. (Prints available).         Other works in this series: And earlier:

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Large Scale Recombinant Installation

  • April 2, 2018
Large Scale Recombinant Installation

Multiple massive iterations of a painting as an ephemeral installation, outdoors or indoors. More information (images, concept) HERE (email for password). Color as space, painting as sculpture, sculpture as installation, installation as metaphor. See the indoor origin HERE. Some examples: linear, vortex and distributed versions:

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Artitechture

  • February 14, 2018
Artitechture

This work is a 12' high ephemeral architectonic palimpsest, a crystalline tornado poem, an optically shifting spaceship skyscraper, a bas-relief diagonal tower of babel. Future iterations will be even bigger -- 30' high or long (on the ground), painting as monumental architecture. (And art as physical & mental challenge -- ephemeral does not equal effortless.  Art as intense sport, as Sisyphean marathon.) As it is done directly on the wall, it can only be experienced in one location. And as all walls eventually come down, it's lo-fi high beauty that can only be experienced for a moment...

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chromed ice – winterwerk

  • December 31, 2017
chromed ice – winterwerk

found materials, lost art; ephemeral sculpture. seasonal outdoor installation series. see last year's snow collage here. and another:  

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Turbine Descending A Staircase

  • May 17, 2016
Turbine Descending A Staircase

Decided to do a radical freestanding remix of the sculpture Acceleration Still. Completely spontaneous, no pre-planning and/or fabricating of interior armature, similar to how I approach my outdoor works (ya work with what ya got.) All part of my recombinant painting, sculpture, installation series, where the work is remixable, intermixable, and infinitely unfinished. The original A/S painting (original flat arrangement of the sculpture, and which will never be seen) is 27 x 16', 300 aluminum panels. This iteration actually references the interior content, which is a butterfly wing composed...

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Snow Graffiti

  • February 23, 2016
Snow Graffiti

75' x 22'. Research for outdoor ephemeral project 5X this size (and for indoor one on sand, 1/2 this scale.)

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