data art

No Hear Hear, No There There

  • October 11, 2016
No Hear Hear, No There There

This work fuses the silver palimpsest series with some of my text series, as well as my linear mandala/DNA spectrogram/sliced collage approach. It's also transtemporal -- there is a complex bas-relief texture of a Victorian petit point motto that reveals beneath the 21st century material. (The reflective quality of which allows the colors in the room, or the viewer, to resolve/dissolve into the piece. It also creates a shifting or unstable optical appearance as one moves around the work, with the different textures or sections luminescing at different angles or time of day.) The text...

Read more

upSTEPPA

  • January 24, 2016
upSTEPPA

"upSTEPPA" from the laser palimpsest series. Complex code/info bas relief and multimedia on aluminum. 48" x 24". As installed at collector's. Different angle showing more of the sub/texture:

Read more

My Anjat Anjan

  • June 1, 2010
My Anjat Anjan

“My Anjat Anjan” by K.I.A., 2010, 60” x 40”. C-Print on metallic photopaper, backmounted on aluminum, facemounted on clear acrylic. 1/5. A jet engine blueprint referencing Palenque. Part of a series exploring ancient/traditional art forms paired with current technology; and broadly, the transtemporal nature of the soul... See also: injunjetenjun kabukijetenjin (Turboaragato)

Read more

Acceleration Still

  • November 6, 2009
Acceleration Still

“Acceleration still; Cocooned escapes, you, me; X-1 Papillons” Mixed media on aluminum; dimensions variable. A 2D-3D-4D Painting>Sculpture>Installation  A two-dimensional painting, hung three-dimensionally, to be reconfigured over time. The initial image is a lepidoptera wing containing a collage of hundreds of aircraft blueprints. The initial sculptural configuration is a form suggestive of a cocoon, an airplane cockpit, an aircraft engine. The  27'x16' flat painting (on 288 aluminium panels) are hung three-dimensionally  over, through, and around a metal infrastructure....

Read more