curator

Installation as Tsunami (CRISPR SCULPTR v.XI)

  • April 21, 2019
Installation as Tsunami (CRISPR SCULPTR v.XI)

Artwork as tsunami, ice age, desert dunes, mud slide, rising sea level. Art as anthropocene. Sculptures submerged by an encroaching installation (an iteration of CRISPR SCULPTR installation done Banff Centre).  The installation moves, over weeks, through a group exhibition or institutional collection, around and through other works, inexorable. This iteration only exists in relation to other works. It frames, enhances, barricades other work. Artwork as migration. Seen in terms of migration, the work creates treaties, negotiations, agreement, communication,  compromises, solutions re: borders,...

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Infecting installation, spliced cyanotypes & dangerous sculptures

  • April 2, 2019
Infecting installation, spliced cyanotypes & dangerous sculptures

A long, skinny painting that connects all the art in the space like a neural network. An installation that infects  the exhibition, its colorful component parts migrating over time through and around the other works, framing, enhancing, colonizing, barricading them. A massive wall painting to be decentralized over time, its 30 parts moving out globally, to flow back for exhibition every 10 years, a murmuration that builds narratives and networks over decades. A dangerous painting. An even more dangerous sculpture. A series of resequenced and genetically modified paintings. Works made with...

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Dangerous Sculpture

  • February 22, 2019
Dangerous Sculpture

A dangerous sculpture, a reverse St. Sebastian, a psychedelic sea urchin: (Stay tuned for the large wall version)

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CRISPR SCULPTR

  • November 6, 2017
CRISPR SCULPTR

This work consists of large paintings distributed (into a sculpture (that is a recombinant installation (that is a function))). Stage one (all the images below) is done; later stages are to be created in site-specific locations nationally and globally over the next few years and added to the work, the installation accreting to an enormous size. This work expresses the ephemeral, the ineffable, and the infinite. VORTEX 35' dia. Its multivalent presentation modes [SEE IMAGES BELOW] enables it to explore many ideas. The sculpture is a mutable metaphor,  a hackable technology, a language...

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What An Artist Does

  • April 20, 2017
What An Artist Does

IMAGE: recombinant sculpture; resequenced paintings; palimpsest series, and brand new series UPDATE:  I spent 70hrs/week for 6 weeks at an art residency, a CRISPR SCULPTR, this painting-as-sculpture-as-installation-as-function ... artwork as endurance sport, as improvisational music, as gene-edited... here's some images of the recombinant work: See here for many other  Projects Every so often someone asks me "What do you do everyday?". I'm surprised at people's surprise at how much there is to do as an artist -- I suppose the romantic idea of just making stuff whenever 'inspired'...

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Curator

  • June 24, 2016
Curator

Just had a two hour studio visit with a curator from the AGO,  linking the work from the early linear A/B/A/B/ collages done in Tokyo through the remxible installations and sculpture work to the digital ice graffiti, laser palimpsest and outdoor ephemeral art, to the latest genetically modified object explorations...  

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notTango

  • March 4, 2016
notTango

Another palimpsest work, as installed at collector's. Bas-relief abstract wrapped in steel and painted. 40 x 26". A hybrid of the Rapt series, and the Shift/Drift series.

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