contemporary art

Chromavirus

  • April 2, 2020
Chromavirus

Some big color for these dark times.  Chromavirus III, 16 x 14" Acrylic on archival paper on wood. This is continuing the CRISPR series of paintings. Future iterations of the below being significantly scaled up (72" +).           Like the work? You can show your support it here: paypal.me/KIAart

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Kirilian cities

  • October 23, 2019
Kirilian cities

METATROPOLIS SERIES Kirilian buildings. Architectonic coronas.Whimsical cities. Urban auras. Structures as broadcasts. Outside-the-box meta metropolis. Ongoing series (Some examples of larger works on canvas, smaller ones on paper, below) Acrylic on canvas, 70 x 48" - 2019 As they would appear installed: Scultpural versions (wall, floor): Acrylic on archival paper, 24 x 18", 2019    

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mmm skyscraper i love you

  • October 16, 2019
mmm skyscraper i love you

"mmm skyscraper i love you" - A spliced skyscraper, a volumetric painting. A three-dimensional version of the genetically modified paintings: visual genes recombined. Transient or fixed arrangements (as column, as barrier, as nodes, as radius on wall, and so on.) This version 3', wood and acrylic. Developing versions in painted steel. Installation mockup: Written sculptures (mockup):   The genetically modified paintings: Paintings, various scales: Bonus: another volumetric painting, mutable in shape; freestanding or wall scaling up to 120"+ high. Monumental...

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No There There (going away away)

  • June 11, 2019
No There There (going away away)

This work has been acquired by a collector in L.A. (Fitting, as its title "No There There, No Hear Hear" is a play on words referencing Gertrude Stein's famous comment upon seeing her old neighborhood, Oakland, also in California). The work is a palimpsest, with layers and layers of shifting text, texture, information, color, and meaning. Images and video below, to show context and optical shifts. 84 x 60", oilstick on aluminium tape and vinyl on aluminium.  

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IOTA, Art collector, K.I.A.

  • March 6, 2019
IOTA, Art collector, K.I.A.

IOTA is a distributed painting. It is a single large artwork to exist in many different locations in 30 parts. It is a decentralized painting. Each individual work (24 x 18") exists as a standalone piece, but is connected to all others via horizontal, vertical, non-linear and color elements. Each piece however, is uniquely folded (its creases like a fingerprint), utterly unique within the collective. When a single section is on the wall, one knows it is connected  something much bigger than one sees, connected globally to others across countries, cultures, class, religions, time. (Metaphor!) The...

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Dangerous Sculpture

  • February 22, 2019
Dangerous Sculpture

A dangerous sculpture, a reverse St. Sebastian, a psychedelic sea urchin: (Stay tuned for the large wall version)

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Snow Collage IV – Ash, Snow, Bulrush, Wind

  • January 7, 2019
Snow Collage IV – Ash, Snow, Bulrush, Wind

Composed from ash and wind on snow (a charcoalotype?), an ephemeral outdoor installation, an annual tradition. This one is about 15' diameter. (Previous ones, 30', here, and here, and some snow graffiti here.) 8 hours + to make; 8 minutes to disappear (it rained shortly after completion). Gone like the year. Indoor version in the works:  ash or graphite on sand, larger in scale and longer lived. (Prints available).         Other works in this series: And earlier:

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insider studio view

  • November 27, 2018
insider studio view

Studio views, new works, developing works, see below for some images, (fast glance video at bottom): -CRISPR installation, first time on wall (about half of it); web work (painting as drawing as sculpture as installation that connects rooms and floors, view on two sides of wall); 1/10 of recombinant cement painting/installation, as tower; -IOTA, decentralized painting (floor, table, wall) to exist as single work across large geographical area; iota sculpture (painting in 1000 parts) 2 views; -40+ works on paper, two walls -a few from the CRISPR paintings, series of spliced works -two smaller...

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Shred, splice, destroy, create

  • October 25, 2018
Shred, splice, destroy, create

Inception paintings, paintings inside paintings. Many works made using found wind and sourced items across many specific locations and climates, destroyed and spliced together to make a single hybrid work. New work in the ongoing CRISPR series, which are a compression of time and space, experience and place, more on that HERE. Cyanotype series, 21st and 19th century concepts spliced together... and so on....    

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geotagged painting sculpture installation

  • July 22, 2018
geotagged painting sculpture installation

Installation commission for collector, installed on their ranch. Site specific painting-sculpture, three iterations. Part of an ongoing global megainstallation composed of 'geotagged' recombinant components. Ultimately to be a painting (collage) made from many hundreds of components. K.I.A. 2018

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