collage

insider studio view

  • November 27, 2018
insider studio view

studio views, new works, see below for some images, bottom for fast glance video -- -CRISPR installation, first time on wall (about half of it); web work (painting as drawing as sculpture as installation that connects rooms and floors, view on two sides of wall); 1/10 of recombinant cement painting/installation, as tower; -IOTA, decentralized painting (floor, table, wall) to exist as single work across large geographical area; iota sculpture (painting in 1000 parts) 2 views; -40+ works on paper, two walls -a few from the CRISPR paintings, series of spliced works -two smaller digi-organic...

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Shred, splice, destroy, create

  • October 25, 2018
Shred, splice, destroy, create

Inception paintings, paintings inside paintings. Many works made using found wind and sourced items across many specific locations and climates, destroyed and spliced together to make a single hybrid work. New work in the ongoing CRISPR series, which are a compression of time and space, experience and place, more on that HERE.   Some more in the series:  

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Art Troll and geoDNA

  • September 19, 2018
Art Troll and geoDNA

Art troll?  Here's how I ended up working (lurking), in inclement weather, under a low bridge... with a racoon. Some of my current explorations involve creating visual DNA en plein air at disparate locations  (ultimately to be done coast to coast to coast across Canada, then other countries) and combining them together. Hundreds of paintings will initially be made, and then destroyed, as they are sliced up into pictorial genes which will  be CRISPR'd together into  single complex artworks, paintings made of paintings. The final pieces will be a hybrid of painting, collage and sculpture....

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Artitechture

  • February 14, 2018
Artitechture

This work is a 12' high ephemeral architectonic palimpsest, a crystalline tornado poem, an optically shifting spaceship skyscraper, a bas-relief diagonal tower of babel. Future iterations will be even bigger -- 30' high or long (on the ground), painting as monumental architecture. (And art as physical & mental challenge -- ephemeral does not equal effortless.  Art as intense sport, as Sisyphean marathon.) As it is done directly on the wall, it can only be experienced in one location. And as all walls eventually come down, it's lo-fi high beauty that can only be experienced for a moment...

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Snow Collage

  • January 13, 2017
Snow Collage

Snow collage, ash as medium, 40' x 20'. Existed for only a day. Lake bed as canvas. (But editioned prints of the work are available by persuasion; contact info@nu4ya.com for details.)        

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No Hear Hear, No There There

  • October 11, 2016
No Hear Hear, No There There

This work fuses the silver palimpsest series with some of my text series, as well as my linear mandala/DNA spectrogram/sliced collage approach. It's also transtemporal -- there is a complex bas-relief texture of a Victorian petit point motto that reveals beneath the 21st century material. (The reflective quality of which allows the colors in the room, or the viewer, to resolve/dissolve into the piece. It also creates a shifting or unstable optical appearance as one moves around the work, with the different textures or sections luminescing at different angles or time of day.) The text...

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na cha cha

  • September 7, 2016
na cha cha

"na cha cha" 58 x 36", as installed at collector's. This work is a chimera, or a mashup of my aluminum palimpsests and my  rawer oilstick on canvas abstracts. The detailed textured surfaces reveals in different light.

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Turbine Descending A Staircase

  • May 17, 2016
Turbine Descending A Staircase

Decided to do a radical freestanding remix of the sculpture Acceleration Still. Completely spontaneous, no pre-planning and/or fabricating of interior armature, similar to how I approach my outdoor works (ya work with what ya got.) All part of my recombinant painting, sculpture, installation series, where the work is remixable, intermixable, and infinitely unfinished. The original A/S painting (original flat arrangement of the sculpture, and which will never be seen) is 27 x 16', 300 aluminum panels. This iteration actually references the interior content, which is a butterfly wing composed...

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Remixing, sampling, scratching, looping paintings & sculptures

  • February 21, 2016
Remixing, sampling, scratching, looping paintings & sculptures

(Scroll down for many images of remixed, intermixed, disrupted and distributed paintings & sculptures, incl. some text on the origin and ideas-behind, including reviews. Also see Statement) GLOBE & MAIL K.I.A.’s latest work, Acceleration/Still is a giant, wasp’s-nest-shaped painting/sculpture combo that references butterfly wings, fuselages and airplane blueprints, via over 300 painted panels. As the weeks progress, the object will grow, change shape and re-combine  TORONTO STAR Remix Music, Why Not Art?  K.I.A. is about art-making, music-making and idea-spinning,...

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Metacollage

  • December 22, 2013
Metacollage

My very early works were collage, which, after an epiphany sitting in the maelstrom of people and noise in front of Shinjuku station, went linear. (Narrow strips of images stacked and interleaved). It was a way to compress a lot of information into a small space, to add rhythm -- or rather a rhyme scheme (ABABCC, with A being one image, B being another, etc.)   It also allowed glitching of a singular image; shifting a single line left or right, or flipping one line upside down, disrupted the image enough to make any analog construction methods (xacto knife, ruler; later, rows and columns...

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