canadian art

Works on Paper

  • April 1, 2020
Works on Paper

WORKS ON PAPER (survey) Oilstick or acrylic on archival paper.  Signed verso.  "Flat" works first. Spliced/stacked works at bottom. Various sizes, as noted (or inquire). Larger works at bottom.  Sold ones are noted. (Shipped unframed, inquire for pricing). WORD WORKS: Oilstick on archival paper.  9 x12". "LOOT"   Text as rainstorm; ongoing iterations, as part of  365 unit "book"   Text / Wordworks:   METATROPOLIS SERIES: 24 x 18", acrylic on paper.  (More in the series than shown). ABOVE: 3 iterations. ABOVE:...

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Crystalline Machine Hurricane Rain

  • February 16, 2020
Crystalline Machine Hurricane Rain

This work came from a dream where it was raining words. As each drop hit your skin you felt its meaning. A storm was Shakespearean, a shower haikus. A hurricane the library of Alexandria, lived in a deluge. All the works in the series -- hybrids of painting, drawing, collage, installation and sculpture -- have very complex bas-relief forms (architectonic, crystalline, and organic) with linear and smeared color on reflective surfaces  that optically shift with the changing light of day (or season, or room), and flatten and expand in depth due to the angle of viewing.  Each painting or on-the-wall...

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Kirilian cities

  • October 23, 2019
Kirilian cities

METATROPOLIS SERIES Kirilian buildings. Architectonic coronas.Whimsical cities. Urban auras. Structures as broadcasts. Outside-the-box meta metropolis. Ongoing series (Some examples of larger works on canvas, smaller ones on paper, below) Acrylic on canvas, 70 x 48" - 2019 As they would appear installed: Scultpural versions (wall, floor): Acrylic on archival paper, 24 x 18", 2019    

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mmm skyscraper i love you

  • October 16, 2019
mmm skyscraper i love you

"mmm skyscraper i love you" - A spliced skyscraper, a volumetric painting. A three-dimensional version of the genetically modified paintings: visual genes recombined. Transient or fixed arrangements (as column, as barrier, as nodes, as radius on wall, and so on.) This version 3', wood and acrylic. Developing versions in painted steel. Installation mockup: Written sculptures (mockup):   The genetically modified paintings: Paintings, various scales: Bonus: another volumetric painting, mutable in shape; freestanding or wall scaling up to 120"+ high. Monumental...

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No There There (going away away)

  • June 11, 2019
No There There (going away away)

This work has been acquired by a collector in L.A. (Fitting, as its title "No There There, No Hear Hear" is a play on words referencing Gertrude Stein's famous comment upon seeing her old neighborhood, Oakland, also in California). The work is a palimpsest, with layers and layers of shifting text, texture, information, color, and meaning. Images and video below, to show context and optical shifts. 84 x 60", oilstick on aluminium tape and vinyl on aluminium.  

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sincerity is great & the metatropolis

  • April 26, 2019
sincerity is great & the metatropolis

sincerity is great. also the architectonic + virtual + organic + poetic as a Metatropolis        

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Infecting installation, spliced cyanotypes & dangerous sculptures

  • April 2, 2019
Infecting installation, spliced cyanotypes & dangerous sculptures

A long, skinny painting that connects all the art in the space like a neural network. An installation that infects  the exhibition, its colorful component parts migrating over time through and around the other works, framing, enhancing, colonizing, barricading them. A massive wall painting to be decentralized over time, its 30 parts moving out globally, to flow back for exhibition every 10 years, a murmuration that builds narratives and networks over decades. A dangerous painting. An even more dangerous sculpture. A series of resequenced and genetically modified paintings. Works made with...

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Dangerous Sculpture

  • February 22, 2019
Dangerous Sculpture

A dangerous sculpture, a reverse St. Sebastian, a psychedelic sea urchin: (Stay tuned for the large wall version)

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insider studio view

  • November 27, 2018
insider studio view

Studio views, new works, developing works, see below for some images, (fast glance video at bottom): -CRISPR installation, first time on wall (about half of it); web work (painting as drawing as sculpture as installation that connects rooms and floors, view on two sides of wall); 1/10 of recombinant cement painting/installation, as tower; -IOTA, decentralized painting (floor, table, wall) to exist as single work across large geographical area; iota sculpture (painting in 1000 parts) 2 views; -40+ works on paper, two walls -a few from the CRISPR paintings, series of spliced works -two smaller...

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Shred, splice, destroy, create

  • October 25, 2018
Shred, splice, destroy, create

Inception paintings, paintings inside paintings. Many works made using found wind and sourced items across many specific locations and climates, destroyed and spliced together to make a single hybrid work. New work in the ongoing CRISPR series, which are a compression of time and space, experience and place, more on that HERE. Cyanotype series, 21st and 19th century concepts spliced together... and so on....    

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