canadian art

insider studio view

  • November 27, 2018
insider studio view

studio views, new works, see below for some images, bottom for fast glance video -- -CRISPR installation, first time on wall (about half of it); web work (painting as drawing as sculpture as installation that connects rooms and floors, view on two sides of wall); 1/10 of recombinant cement painting/installation, as tower; -IOTA, decentralized painting (floor, table, wall) to exist as single work across large geographical area; iota sculpture (painting in 1000 parts) 2 views; -40+ works on paper, two walls -a few from the CRISPR paintings, series of spliced works -two smaller digi-organic...

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Shred, splice, destroy, create

  • October 25, 2018
Shred, splice, destroy, create

Inception paintings, paintings inside paintings. Many works made using found wind and sourced items across many specific locations and climates, destroyed and spliced together to make a single hybrid work. New work in the ongoing CRISPR series, which are a compression of time and space, experience and place, more on that HERE.   Some more in the series:  

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geotagged painting sculpture installation

  • July 22, 2018
geotagged painting sculpture installation

Installation commission for collector, installed on their ranch. Site specific painting-sculpture, three iterations. Part of an ongoing global megainstallation composed of 'geotagged' recombinant components. Ultimately to be a painting (collage) made from many hundreds of components. K.I.A. 2018

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Projects Overview

  • June 29, 2017
Projects Overview

Various projects, now as separate pages. Page 1 is new works, ideas in progress, and painting series; 2 is singular works on aluminum, 3 is installations, 4 is early recombinants.  The Blog has the best overview of everything. PAGE 1 - PAGE 2 - PAGE 3 - PAGE 4  

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No Hear Hear, No There There

  • October 11, 2016
No Hear Hear, No There There

This work fuses the silver palimpsest series with some of my text series, as well as my linear mandala/DNA spectrogram/sliced collage approach. It's also transtemporal -- there is a complex bas-relief texture of a Victorian petit point motto that reveals beneath the 21st century material. (The reflective quality of which allows the colors in the room, or the viewer, to resolve/dissolve into the piece. It also creates a shifting or unstable optical appearance as one moves around the work, with the different textures or sections luminescing at different angles or time of day.) The text...

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Shift / Drift series

  • May 10, 2016
Shift / Drift series

VARIOUS SERIES: SHIFT/DRIFT | ORIGAMI'D  PALIMPSEST | RECOMBINANT | RAPT | NON-SERIES | LINEAR SERIES | WORKS ON PAPER | PHOTOS THE SHIFT/DRIFT SERIES Large works on canvas (See smaller works on paper HERE), glitched en plein air (in various weather conditions -20 to +30º). This series explores ideas related to analogue & digital crossovers; genetics (a 'resequencing' of parts); and music production techniques (sampling, timestretching, looping, glitching.) See the Statement for more.

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notTango

  • March 4, 2016
notTango

Another palimpsest work, as installed at collector's. Bas-relief abstract wrapped in steel and painted. 40 x 26". A hybrid of the Rapt series, and the Shift/Drift series.

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Snow Graffiti

  • February 23, 2016
Snow Graffiti

75' x 22'. Research for outdoor ephemeral project 5X this size (and for indoor one on sand, 1/2 this scale.)

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Remixing, sampling, scratching, looping paintings & sculptures

  • February 21, 2016
Remixing, sampling, scratching, looping paintings & sculptures

(Scroll down for many images of remixed, intermixed, disrupted and distributed paintings & sculptures, incl. some text on the origin and ideas-behind, including reviews. Also see Statement) GLOBE & MAIL K.I.A.’s latest work, Acceleration/Still is a giant, wasp’s-nest-shaped painting/sculpture combo that references butterfly wings, fuselages and airplane blueprints, via over 300 painted panels. As the weeks progress, the object will grow, change shape and re-combine  TORONTO STAR Remix Music, Why Not Art?  K.I.A. is about art-making, music-making and idea-spinning,...

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General Stealth, Car River, Micro Redux

  • July 11, 2013
General Stealth, Car River, Micro Redux

General Stealth, Car River II 48” x 32”, oilstick on aluminum Tom Thomson x Emily Carr ÷ General Idea x Agnes Martin = genetically modified Canadian art. A smaller commission of the larger (84” x 60”) GSCR version. Taking the forests of Thomson and splicing them with organic shapes of Carr over the t.v. bands of General Idea, and beneath the minimalist lines of Martin. There is a horizontal, as well as a vertical, tracking of light as the aluminum reflects with movement and illumination, contrasting the velvety matte of the oilstick. © K.I.A. Kirby Ian Andersen

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