canadian art magazine

Infecting installation, spliced cyanotypes & dangerous sculptures

  • April 2, 2019
Infecting installation, spliced cyanotypes & dangerous sculptures

A long, skinny painting that connects all the art in the space like a neural network. An installation that infects  the exhibition, its colorful component parts migrating over time through and around the other works, framing, enhancing, colonizing, barricading them. A massive wall painting to be decentralized over time, its 30 parts moving out globally, to flow back for exhibition every 10 years, a murmuration that builds narratives and networks over decades. A dangerous painting. An even more dangerous sculpture. A series of resequenced and genetically modified paintings. Works made with...

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Dangerous Sculpture

  • February 22, 2019
Dangerous Sculpture

A dangerous sculpture, a reverse St. Sebastian, a psychedelic sea urchin: (Stay tuned for the large wall version)

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End E, Eff (segueing installation)

  • February 18, 2016
End E, Eff (segueing installation)

IMAGE: New large installation painting: a movement from fear through joy to enlightenment, a shift from healing to pain to loss, or protection, in different forms: by science, by might, by prayer.  -K.I.A. 2016 End E, Eff 2016. Needles, darts, feathers, in powdercoated aluminum, 108" x 60" x 12" (Also scalable, from small to massive.) Detail view:  

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Paracarta

  • October 10, 2012
Paracarta

46” x 30” x 60,000” oilstick, stainless steel thread on shaped aluminium K.I.A. 2012 The image is very colorful and detailed, but veiled in steel; only hints & glimpses of it can be seen through organic gapping in the thread pattern. More mapping. Poly-para-multi-tempo-cultural. Ancient Chinese map (the colors; orange gold red blue organic forms); Greek city (purple structures); weathered papyrus (silver shapes); sea-faring (navigation compass lines for the metal bends); Inuit coast-line recognition carvings (darker bands); Polynesian ocean wave-pattern maps (the cursive...

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