art

In A Myriad of Ages It Will Not Be Exhausted

  • August 6, 2019
In A Myriad of Ages It Will Not Be Exhausted

If from a stick a foot long you every day take the half of it, in a myriad of ages it will not be exhausted. -Mohist School of Names (China, 479 BCE) The work is continuously destroyed This painting is cut in half every ten years. Each division makes it a new artwork, and starts the clock on its next destruction. The original state becomes unknown,  as the smaller and smaller pieces are placed in new positions.  All future states are also unknown, existing as probabilities, potentials, or impossibilities. Now or never Each painting can only be seen in each physical ‘now’ of the viewer, ...

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No There There (going away away)

  • June 11, 2019
No There There (going away away)

This work has been acquired by a collector in L.A. (Fitting, as its title "No There There, No Hear Hear" is a play on words referencing Gertrude Stein's famous comment upon seeing her old neighborhood, Oakland, also in California). The work is a palimpsest, with layers and layers of shifting text, texture, information, color, and meaning. Images and video below, to show context and optical shifts. 84 x 60", oilstick on aluminium tape and vinyl on aluminium.  

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Installation as Tsunami (CRISPR SCULPTR v.XI)

  • April 21, 2019
Installation as Tsunami (CRISPR SCULPTR v.XI)

Artwork as tsunami, ice age, desert dunes, mud slide, rising sea level. Art as anthropocene. Sculptures submerged by an encroaching installation (an iteration of CRISPR SCULPTR installation done Banff Centre).  The installation moves, over weeks, through a group exhibition or institutional collection, around and through other works, inexorable. This iteration only exists in relation to other works. It frames, enhances, barricades other work. Artwork as migration. Seen in terms of migration, the work creates treaties, negotiations, agreement, communication,  compromises, solutions re: borders,...

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Collage

  • March 22, 2019
Collage

For the record, a survey of my early collages, and their evolution till today. The paper ones were made and exhibited in Tokyo, LA, Toronto. The series (style) began in 1987. The concept came fully-formed in a daydream while sitting at Shinjuku station: slice images to strip them to their core information, and then interleave the images to compress them into dense meanings. It also enabled works using disparate material and juxtapostions of ideas to visually cohere. I have always described these as having a visual rhyme scheme, A/B/A/B/C/C.   Poetry, music, and DNA. Most carefully composed,...

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insider studio view

  • November 27, 2018
insider studio view

Studio views, new works, developing works, see below for some images, (fast glance video at bottom): -CRISPR installation, first time on wall (about half of it); web work (painting as drawing as sculpture as installation that connects rooms and floors, view on two sides of wall); 1/10 of recombinant cement painting/installation, as tower; -IOTA, decentralized painting (floor, table, wall) to exist as single work across large geographical area; iota sculpture (painting in 1000 parts) 2 views; -40+ works on paper, two walls -a few from the CRISPR paintings, series of spliced works -two smaller...

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Shred, splice, destroy, create

  • October 25, 2018
Shred, splice, destroy, create

Inception paintings, paintings inside paintings. Many works made using found wind and sourced items across many specific locations and climates, destroyed and spliced together to make a single hybrid work. New work in the ongoing CRISPR series, which are a compression of time and space, experience and place, more on that HERE. Cyanotype series, 21st and 19th century concepts spliced together... and so on....    

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geotagged painting sculpture installation

  • July 22, 2018
geotagged painting sculpture installation

Installation commission for collector, installed on their ranch. Site specific painting-sculpture, three iterations. Part of an ongoing global megainstallation composed of 'geotagged' recombinant components. Ultimately to be a painting (collage) made from many hundreds of components. K.I.A. 2018

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distributed sculpture, decentralized installation

  • July 3, 2018
distributed sculpture, decentralized installation

The decentralized sculpture / distributed painting idea extended outdoors; hi concept - lo materials, geotagged  by site-specific materials. Below to be scaled up x 100. Monolith, column, detritus, array, line... developing... Ultimately, this scale: And the upsized outdoor equivalent of this: As part of this series: very large scale, outdoors - http://nu4ya.com/2018/04/02/large-scale-recombinant-installation/ recombinant iteration, indoors - http://nu4ya.com/2017/11/06/crispr-sculptr/

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More Than

  • May 4, 2018
More Than

Metempsychosis themes meet the CRISPR series. The soul is spliced.  

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Large Scale Recombinant Installation

  • April 2, 2018
Large Scale Recombinant Installation

Multiple massive iterations of a painting as an ephemeral installation, outdoors or indoors. More information (images, concept) HERE (email for password). Color as space, painting as sculpture, sculpture as installation, installation as metaphor. See the indoor origin HERE. Some examples: linear, vortex and distributed versions:

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