art collector

insider studio view

  • November 27, 2018
insider studio view

studio views, new works, see below for some images, bottom for fast glance video -- -CRISPR installation, first time on wall (about half of it); web work (painting as drawing as sculpture as installation that connects rooms and floors, view on two sides of wall); 1/10 of recombinant cement painting/installation, as tower; -IOTA, decentralized painting (floor, table, wall) to exist as single work across large geographical area; iota sculpture (painting in 1000 parts) 2 views; -40+ works on paper, two walls -a few from the CRISPR paintings, series of spliced works -two smaller digi-organic...

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Shred, splice, destroy, create

  • October 25, 2018
Shred, splice, destroy, create

Inception paintings, paintings inside paintings. Many works made using found wind and sourced items across many specific locations and climates, destroyed and spliced together to make a single hybrid work. New work in the ongoing CRISPR series, which are a compression of time and space, experience and place, more on that HERE.   Some more in the series:  

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geotagged painting sculpture installation

  • July 22, 2018
geotagged painting sculpture installation

Installation commission for collector, installed on their ranch. Site specific painting-sculpture, three iterations. Part of an ongoing global megainstallation composed of 'geotagged' recombinant components. Ultimately to be a painting (collage) made from many hundreds of components. K.I.A. 2018

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Art at Collector’s

  • March 5, 2017
Art at Collector’s

A survey of sold works across different series, all sizes, in situ in diverse locations (lobbies, yacht, offices, mansions, condos...); see the Projects page for bigger images.  

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Curator

  • June 24, 2016
Curator

Just had a two hour studio visit with a curator from the AGO,  linking the work from the early linear A/B/A/B/ collages done in Tokyo through the remxible installations and sculpture work to the digital ice graffiti, laser palimpsest and outdoor ephemeral art, to the latest genetically modified object explorations...  

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Shift / Drift series

  • May 10, 2016
Shift / Drift series

VARIOUS SERIES: SHIFT/DRIFT | ORIGAMI'D  PALIMPSEST | RECOMBINANT | RAPT | NON-SERIES | LINEAR SERIES | WORKS ON PAPER | PHOTOS THE SHIFT/DRIFT SERIES Large works on canvas (See smaller works on paper HERE), glitched en plein air (in various weather conditions -20 to +30º). This series explores ideas related to analogue & digital crossovers; genetics (a 'resequencing' of parts); and music production techniques (sampling, timestretching, looping, glitching.) See the Statement for more.

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Collectors, Instagram, Casual, Instant

  • March 29, 2016
Collectors, Instagram, Casual, Instant

Here's a grid grab from Instagram of some works at collectors' (Italy, Canada, a yacht); a couple shots of a public installation; some studio  context shots and naturesque photos. I use IG for quicker, more casual shots of work, gifs, videos of work, shots of ideas, inspriations, along with some photography. (Never selfies, tho.) Follow me here on Instagram: @___k___i___a___ See artworks by K.I.A. as installed at various collector's at THIS POST

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notTango

  • March 4, 2016
notTango

Another palimpsest work, as installed at collector's. Bas-relief abstract wrapped in steel and painted. 40 x 26". A hybrid of the Rapt series, and the Shift/Drift series.

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upSTEPPA

  • January 24, 2016
upSTEPPA

"upSTEPPA" from the laser palimpsest series. Complex code/info bas relief and multimedia on aluminum. 48" x 24". As installed at collector's. Different angle showing more of the sub/texture:

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Divination Inclination

  • December 5, 2015
Divination Inclination

56” x 36” x 3000 nuts & bolts (Left: front view Right: back view oilstick on aluminium K.I.A. 2012 This work, which came to me fully-formed while sleeping, encapsulates my ongoing themes: it uses proletarian materials in an unusual way; it contains imagery from many eras and cultures; it has layers of veiled information; it changes -- shadows or pinpoints of light or details get revealed as you move around the work. (Even the back. Especially the back. Everyone peeks around the back.) It was also insanely labour intensive, involving hand-screwing 3000 nuts and bolts. They...

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