Collage, Earthworks, Installation, Paintings, photography, Sculpture

Survey & New

  • August 30, 2019



Recent works

Peeks at various new paintings, series, sculptures, installations, one-offs and developing concepts. Updated continuously. Deeper insights about the work can be found at the Blog .

Below are various contemporaneous series and their cross-pollinations; the themes across series are precarity,  ephemerality, and infinity (within identity, nature, technology, time, economy, reality…). This is expressed through the use of discrete units to create larger systems. The component parts are unique fixed units, but the larger systems shift, change, get disrupted, are cohesive, unpredictable, composed… all as metaphors for the individual in the community, one lifetime across thousands, nature disruption, reality as digital simulation, complexity, hybridity, cohesion…

A word survey of works on the site: Artificial Intelligence cyanotypes. Kirlian cities. Snow collages. Burnt spliced languages. Distributed sculptures. Micro resequencing and genetic modification of paintings. Handweaving digitalism. Archaeology, geology, architecture sampling and accretion. Sideways palimpsests,  towering palimpsests. Chromed ice.

Gold leaf glitched wabi-sabi (beauty in imperfection);  gold leafed, fluted shift/drift work; shou-sugi ban (burnt wood) linear glitch; burnt chromed wood; multi-perspective fresnel lensed piece…

See also Developing for coming installations and sculptures, and the Blog for new works and news.

Below: snow collage 4.0, decentralized painting; spliced paintings, wall palimpsest, chromed ice…

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Above: large installation on snow, latest season.

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Above: public art sculpture, volumetric painting, 20′ high; study

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Above: Kirlian cities painting series.

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Above: dangerous pixels, spliced recombinant sculpture.

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Above: CRISPR painting/wall installation.

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Above: “mmm skyscraper i love you” sculpture, a spliced, recombinant volumetric painting. Study for larger scale public artwork.

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Above: studies for architectonic paintings.

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Above: genetically modified cyanotype; series.

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painting S3332


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